Renowned and award-winning funnyman, Alan Committie, returns to Theatre on the Bay for his annual brand new stand up offering as he reflects on the year that was.
From 18 December – 8 February at Theatre On The Bay!
Special New Year’s eve performance: https://www.webtickets.co.za/v2/Seating.aspx?itemid=1552526083
In Comedy Gold, Committie will once again award comedy medals to all the quibbles, foibles, outrageous inconsistencies and multiple inefficiencies that make up modern living in 2024.
From elections and appalling selections, though Airbnbs and neighbourhood Whatsapp groups but never ignoring Olympic shenanigans and dieticians, this show will be filled with all the customary wordplay, physical hi-jinx and surreal detours into fresh perspectives that you associate with this jester.
Also: a flipchart. Always.
Although not a trained athlete in the traditional sense, Committie is a highly respected and well regarded member of the Lower Bergvliet Amateur Association 7th team badminton squad (reserves).
And doesn’t eat carbs on a Tuesday.
Did I mention there will be flipchart?
The show is coached by Chris Weare who may or may not be on a course of steroids but never for the reason you guessed.
Bookings at Webtickets or the Theatre On The Bay box-office (021) 438-3301.
Bianca Amato is currently in Cape Town rehearsing ‘LUNGS’ ahead of its run at Pieter Toerien’s Theatre On The Bay from 7 – 24 February, 2024.
‘LUNGS’ is a funny, off-kilter love story, that explores the debate around the environmental impact of having children in today’s world, a world that is becoming more and more focussed on sustainable living.
Dean Roberts.
30 January, 2024.
South African actress and director, Bianca Amato. Images: biancaamato.com
DR: You last appeared on our stages in Pieter Toerien’s 2001 production of ‘Proof’, starring Michael Atkinson. Since then you have worked extensively overseas – how does it feel to be home again?
BA: Shew! Such a wild mix of emotions! I returned for family life and that has been very special. The process of building up a similar work life to the one I experienced in the US has begun and I feel very excited by it. It hasn’t come easy, what with having a baby and then COVID in the middle of it all. But the challenges that I’ve had make it all the sweeter now, as it gains momentum.
Bianca Amato and Michael Atkinson in ‘Proof’, July 2001 at Pieter Toerien’s Montecasino Theatre. Image: Pieter Toerien Productions / Instagram.
DR: A performing highlight that you wish to share?
BA: Do I have to pick just one? Working with Jack O’ Brien and Tom Stoppard in the Coast of Utopia trilogy at Lincoln Centre. All the Shakespeare I got to do in NYC. The Importance of Being Earnest directed by Sir Peter Hall.
Bianca Amato with Christine Baranski and Matt Czuchry in The Good Wife (2009). Image: IMDb.
Playing Amanda in Private Lives directed by Maria Aitken. Playing Elizabeth Bennet in Pride and Prejudice and Eliza Doolittle in Pygmalion at the wonderful Guthrie Theatre. Playing opposite Bill Irwin, sharing a stage with Billy Crudup, Ethan Hawke, Martha Plimpton, David Harbour, Lynn Redgrave, Miriam Margolyes. Being directed by Athol Fugard in NYC. I have been beyond lucky.
Sahr Ngaujah, Caleb McLaughlin, Bianca Amato and Leon Addison Brown at the opening of Athol Fugard’s ‘The Painted Rocks At Revolver Creek’ (Off-Broadway 2015). Image: Monica Simoes.
DR: A production that posed unique challenges, and how you overcame them?
BA: Ha! I had to play a ballerina in Mr.Fox: a Rumination. A play by Bill Irwin about a famous clown in 19th century New York City. I played the clown’s wife and I had to learn ballet in 3 weeks. Faking it obviously, not on pointe at all. I had to work VERY HARD to become a little bit graceful.
DR: South African audiences will of course remember you as Philippa De Villiers in Isidingo, which do you prefer stage or screen?
BA: Stage. I won’t say no to screen, but ja, Stage.
Characters Derek Nyathi (Hlomla Dandala) and Phillipa de Villiers (Bianca Amato) get married on Isidingo – The Need, in 2001. Image: Facebook
DR: Can you tell me about ‘LUNGS’, and how you came across the play?
BA: ‘LUNGS’ is really a peek into a private conversation that spans 40 years. It is both a love story and a searing look at where we are now, us little humans. It is brave, probing, funny, and achingly poignant. It is a play that has come into its time a decade after it was written – it’s actually quite unsettling to see how much more relevant it is now, given the current climate crisis. I read it in 2018. It spoke to me. I could hear it. Duncan Macmillan writes in a very particular way and I feel very connected to it.
British playwright Duncan Macmillan. Image: Evening Standard.
BA: The style of it – it’s vital and smart and potent and demands virtuosity from its performers. The humanity of it. The humor. The joy of it! It’s a rollercoaster ride, and it’s such a great piece for two young actors to revel in. Jazzara and Sanda are just extraordinary – I cannot wait for people to fall in love with them.
Jazzara Jaslyn and Sanda Shandu, star in Duncan Macmillan’s ‘LUNGS’, on at Theatre On The Bay from 7 February, 2024. Image: Claude Barnardo.
DR: How do you approach casting a play – this play in particular?
BA: Very carefully! I saw many people, many lovely performers, but I was looking for two people who have an instinct about the essence of the characters, as well as an understanding of what is needed from them stylistically. And most importantly, they need to have chemistry with each other. The piece is very intimate and asks for vulnerability and connection.
DR: How do you collaborate with actors, to bring about their best performances?
BA: Every actor is unique, and their process is too. Respecting this is very important to me. But the most important thing, especially when you have a good play on your hands, is to honor the text. To really investigate together, to be exacting and specific. If we can do that together, find each other in the investigation, put the text first, and play, play, play, while always staying true to the intentions of the writer, we’ll be on our way.
DR: What do you wish the audiences to take away from this experience?
BA: I hope they feel that they have been given a gift, that they have been allowed to eavesdrop on two people’s lives, and that they feel richer for it. I want them to have a good laugh and a good cry. And perhaps, who knows, maybe they will feel galvanised to help tackle the climate crisis in some personal way? At the very least, recycle!
DR: You have formed your new production company, The Quickening Theatre Company. How did this come about, and what sort of projects are you looking at producing in future?
BA: In South Africa you can’t just wait for the phone to ring. We as artists have to forge ahead and make our own work. I have been circling around the idea of creating my own theatre company for a few years now, but the thought of doing it alone was daunting. I met Kensiwe Tshabalala last year, and we quickly realized we could make a really great team. The Quickening is dedicated to producing contemporary plays that excite South African audiences, and to revitalizing Shakespeare and other classical playwrights in productions that resonate with us all and reflect the here and now. We are hugely excited to see what lies ahead!
DR: What do you consider the most rewarding aspect of being a theatre director?
BA: Getting to craft stories. To help birth something. Getting to work with others to weave magic from words. I love language and I love people and I love moments.
DR: What do you believe are the key qualities of a successful theatre director?
BA: I’m learning as I go, but I would think listening, being patient, trusting the process, trusting your instincts, and not taking yourself too seriously. Knowing when to speak and when to shut up (still very much learning!) Having vision, but being flexible. Leaning into the humor in the room. Not being too precious. Letting people breathe. Having fun. But always looking to honor the work, to be exacting, to not settle for surface choices, to keep digging, keep honing, keep divining the truth. Also, inspiring and motivating people! Making them feel energised and lucky to be doing this work. My favorite director and role model, Jack O’Brien, would give such gorgeous, rousing speeches about the work that we would feel like we would do anything for him. I can only dream of capturing a casts heart and imagination the way he does.
Jazzara Jaslyn and Sanda Shandu, star in Duncan Macmillan’s ‘LUNGS’, on at Theatre On The Bay from 7 February, 2024. Image: Claude Barnardo.
Presented by The Quickening Theatre company and Gloucester Productions, ‘LUNGS’ by Duncan MacMillan runs at Theatre On The Bay from 7 – 24 February, 2024.
Performances from Tuesdays to Saturdays at 7:30pm, with Saturday matinees at 3pm.
Tickets available from Webtickets, or the Theatre On The Bay box-office on (021) 438-3301.
Willy Russell’s Educating Rita – now on stage at Theatre On The Bay.
Tally Ho! Productions is proud to present a new production of Willy Russell’s classic comedy, EDUCATING RITA.
Rita White, a young Liverpudlian hairdresser enrols in an Open University course to study literature to better herself and escape from her drab and dreary working-class world. Along the way, she meets her tutor, Frank Bryant, a jaded professor who quickly becomes fascinated by Rita’s offbeat take on the world of academia.
EDUCATING RITA was originally commissioned by the Royal Shakespeare company and opened to great acclaim in 1980.
The play was adapted in 1983 to a multi-award-winning film starring Michael Caine and Julie Waters, which would go on to become a cult-classic.
Featured in the titular role of Rita is Fleur du Cap and Naledi Theatre Award nominee, Zoë McLaughlin, last seen at Theatre On The Bay in the THE LAST FIVE YEARS as Cathy Hiatt.
Playing opposite her as Professor Frank Bryant is multi-award-winning actor Jason K. Ralph, last seen as Lord Wessex in the Fugard Theatre production of SHAKESPEARE IN LOVE.
This production of EDUCATING RITA features a brand-new score by internationally recognised composer Jonathan M. Blair and is directed Paul Griffiths.
With dialogue radiant with the wit and charm of 1980s England, EDUCATING RITA is an intimate, funny, and moving classic about two people trapped in their lives, who in meeting, offer one another an unexpected breath of fresh air.
EDUCATING RITA runs at Theatre On The Bay from 5 to 15 July, 2023.
Tickets range from R150 to R 250 at webtickets.co.za, at any P’nP, or by calling the Theatre On The Bay box-office on (021) 438 3300/1.
Pieter Toerien and RMB present the Mzansi Tenors at Theatre On The Bay from 25 – 28 January, 2023.
After triumphant appearances around the country, the Mzansi Tenors, hosted by Richard Cock and supported by Rand Merchant Bank, are coming to Theatre on the Bay for a short season, from 25 – 28 January 2023.
Their programme includes all your favourite tenor arias and South African hits, and with ten tenors performing in their signature Afro-opera style.
“You are sure to get shivers down your spine”, says Richard Cock.
This is a proudly South African performance which will inspire you for the year ahead.
Don’t miss the thrilling experience of ten tenors singing moving arias, signature African pieces, Neopolitan favourites and musical theatre memories.
‘IT’S BEAUTIFUL AT THE BALLET’
From 19 November to 4 December, 2021 at Pieter Toerien’s Theatre On the Bay.
SANDT presents It’s Beautiful At The Ballet at Theatre On The Bay, November 2021.
SANDT is grateful and excited to announce that “It’s Beautiful at the Ballet” will be staged at Pieter Toerien’s Theatre On The Bay from 19 November until 4 December, 2021. An inspiring, uplifting and joyful program of short pieces by some of South Africa’s best known choreographers, Veronica Paeper, Sean Bovim and Adele Blank promises sheer entertainment.
During 2020 at the height of the Covid-19 lockdown, the SANDT trustees believed that audiences would want to see beautiful and encouraging productions when theatres re-open. They decided to create a collaborative opportunity for dance. With the support of the National Arts Council, SANDT has been able to offer independent, professional dancers the opportunity to perform on stage, get back into daily training and – most importantly – to earn an income.A special feature of this production is former Royal Ballet dancer, Camille Bracher, who will be performing with the cast of 11 professional dancers and 8 apprentice dancers from the JPSB (Cape Town) and the Jozi Youth Dance (Johannesburg).
This exhilarating program will include pieces from Veronica Paeper’s much loved, “Orpheus in the Underworld”, Sean Bovim’s “SwingTime at the Ballet” and Adele Blanks “Mad Dogs”. There will also be new works to delight and entertain.
Performance dates: 19, 20, 24, 26, 27 November & 1, 3, 4 December, 2021.Evening performances at 7.30pm and Saturday matinees at 2.00pm
Ticket prices: R250 each*
Pensioner’s and students: R180 each*
*In order to comply with COVID-19 regulations and ensuring effective social distancing tickets are being sold in pairs.
The South African National Dance Trust (SANDT) was formed in 2009 to promote, preserve, support and inspire the art forms of classical ballet and contemporary dance throughout South Africa. The trust aims to increase awareness and widely inform the South African public about dance and provide the opportunity for national collaborative dance productions. SANDT focuses strongly on education. The founding trustees are Veronica Paeper, Mike Bosazza and Robyn Taylor.
Box tickets: All 4 tickets for either the Bill Flynn or the Moira Lister boxes need to be purchased at the same time.Tickets available from Computicket.com and the Theatre on the Bay box-office (021) 438-3300
Bookings can also be made through the Computicket call-centre (0861) 915 8000 / (011) 340 8000.
